Guide to acrylic paint supports. When you walk into the art equipment market, are you confused by the rows of acrylic products and acrylic paint stands that look the same? You are not alone. In this article, I will explain the secrets of acrylic paint supports, gels, and pastes. Each product has qualities that allow acrylic painters to achieve a multitude of special effects and textures. For best results, I recommend starting with artistic quality acrylic paints, even if you are just getting started with acrylics.
The gels are available in various viscosities (the thickness of the product), such as soft body, regular, heavy, and extra heavy. There are also glossy benefits, including matte, semi-gloss, and finish. When taking a thickness, identify that the higher the thickness, the higher the tops. Gels can cause acrylic paint to shrivel; give it a try and consider a high solids gel product to prevent shrinkage.
White when wet, clear when dry
As usual, gels are white when wet and clear when drained. They are like colorless paint. One of the benefits of incorporating gels is their ability to spread the stain, saving you money. It may take some patients to get used to how gels interact with color. When the gel is added to the paint, the paint color becomes lighter, but it dries outside the tube. I recommend that you make a graph illustrating the differences until you are familiar with the effect of the gel on the paint, like the graph above.
Create texture and graffiti effects with gels
Create texture. You can create soft creases or hard high peaks with your acrylic paint, depending on the viscosity of the gel. To create a transparent layer without too much texture, use a spatula to spread a layer of soft glitter gel. Allow the hand to dry before adding more coats. This method creates amazing visual depth. Or blend the color in the gel and settle it over a background color to create layers of paint. In the sample above, I applied the purple background and let it dry.
Graffiti is a pleasant way to add taught color to your exterior. In the image above, I painted the background with pyrrole red. I scraped a layer of thick glitter gel mixed with yellow onto the surface with a putty knife when it dried. While the gel mix was quite wet, I drew on the exterior with the tip of a knife, revealing the underlying color. Note that I did not mix the varnish with the gel well. As a result, I got an almost marbled effect with yellow instead of a solid mass.
Alter the shine with gels
Acrylic paints tend to be bright when drained, but you can control the gloss by adding acrylic paint mediums such as semi-gloss or matte gel to the color.
Brightness: The background color is bright teal Liquitex. Once dry, a layer of soft phthalate turquoise glitter gel was mixed and spread with a knife on the surface. I applied a thick application; the one on the right has a nice application. Black lines can paint in the background to indicate transparency.
Opaque: I mixed light red naphthol in a normal semi-gloss gel and sprayed the mix in a thin paper on the left and a more solid form on the right. I was also able to check the transparency of the paint.
In the last example, I altered the gloss of the paint by applying a layer of gel to the dried paint. I used the matte gel on the left side and semi-gloss on the right side.
Extend the volume of the varnish with gels
Spread the varnish by mixing it with the gels. I usually add a few bits to a spoonful of gel in my painting, working it with a knife. I prefer a knife over a brush because the gel can clog a meeting and create unsightly brush marks.
This result is a pourable acrylic paint tool. As with gels, it is white when wet and clear when dry and is an excellent paint extender. I like to use a knife to blend my painting in between. You can also use a brush, as the polymer medium has a lower viscosity than the gels discussed above. The polymer medium makes the matte paint more transparent. Iron oxide red, a mineral color, is opaque and becomes more evident when added to polymer medium. You can see how the tan marks give transparency.
Mixing and glazing with polymeric means
Blend. The polymer medium facilitates the mixing of colors, and adding a little water to the mixture extends the open time. In the image above, he used a combination of Payne Gray and Permanent Dark Purple, both of which were mixed with a polymer medium, and blended the two colors. Glasses. The difference between a polymer paint blend and a paint glazing medium is that the glazing medium has an added retardant, so it doesn’t dry as quickly. You can combine a little water with the polymer blend to increase its available time.
In the example over, I covered the history with magenta. Once dry, I painted a permanent dark purple medium polymer polish on the left front. Next, I covered the top side with a comparable blend using clear pyrrole orange. The stripe in the center of the image reveals the magenta background color.
Color mixing in layers
Create vibrant colors by overlaying paints rather than mixing colors. For example, paint color lets it dry, and then apply a coat of a new force that has been associated with a polymer means. In the photograph above, I’ve painted the left side with a permanent dark purple. When it was dry, I painted a mixture of teal cobalt and polymer medium on the outside. On the outer side, the colors are changed. I find it helpful to create artwork of some of my favorite layer combinations when I paint with acrylic paint mediums.
Work with fluid matte medium
It is a pourable medium with the addition of particles to give it an opaque appearance. This product covers or slightly softens the intensity of the color, creating a wax-like impression. When I’m making outside with many stories of paint, I use a medium gloss polymer with the colored layers and end up with a medium matte fluid.
I painted the background a light green and let it dry. I then applied a coat of fluid, opaque medium, and let it dry. I drew on the left front of the ring with a soft shaft and used it for additional fluid matte support over the easy landscape drawing to attach a picture element. On the right side, I mixed the permanent green in the middle.
Here we will look at modeling paste, thick paste, and light modeling paste. You can also see hard and flexible pastes. Pastes are white when wet and opaque when dry. The pastes contain marble dust to give them opacity. Manufacturers call their pastes differently, calling them molded or molded, but they are the same.
Modeling paste. The dough has a thick consistency, so roll it out with a spatula. I prefer to roll out the dough, let it dry and then add the paint on top. Modeling paste is slightly more absorbent than gels but not as porous as light modeling paste? Depending on the thickness in which it is applied, it can be translucent or opaque. I used modeling paste on the left side and light modeling paste on the right in the example above. Next, I applied quinacridone gold diluted in water on both sides. As you can see, the best view is much more absorbent.
Embossed texture. In the example above, I painted the sky blue as a background. Once dry, I utilized a small layer of modeling paste. While it was wet, I pressed a rough paper into the paste and removed it. When the paste was dry, I applied the gold quinacridone paint diluted with water.
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